OBJECT NO. 01

THE
COMMODORE

THE
COMMODORE

THE
COMMODORE

Some objects illuminate a room. Others define it.

ENQUIRE ABOUT THE COMMODORE

DETAILS ↓

COMMODORE HERO IMAGE

COMMODORE DETAIL IMAGE

THE COMMODORE BY DANIEL JAMES

Tuned, not switched on. An instrument that sets the mood of a room before the music starts.

Tuned, not switched on. An instrument that sets the mood of a room before the music starts.

MADE FOR

Listening rooms. Vinyl rooms. Modern libraries. Quiet Italian minimalism with a 1960s Mod accent.

FORM

Three stacked mesh lobes. A domed cap with a glowing aperture. Four short splayed feet.

DIMENSIONS

270 mm tall · 202 mm wide

MADE

Additive production in high grade, sustainable PETG. Made to order.

FAMILY

First of a series. Next in development: The Beverly.

ENQUIRE ABOUT THE COMMODORE

OBJECT NO. 01

THE COMMODORE

THE COMMODORE

THE COMMODORE

Some objects illuminate a room. Others define it.

Some objects illuminate a room. Others define it.

COMMODORE ORIGIN IMAGE

It came from years of shaping how rooms feel. Stages. Venues. Film sets. At some point I wanted to make the thing that stays in the room after everyone leaves.

It started with a sketch. An idea of how light should play across three levels of detail.

The pattern. A lattice that interlocks to form the body.

The shape. Three stacked lobes, one quiet silhouette.

The spill. How the light leaves the lamp and settles into the room.

Getting all three to agree took a long run of trial and error. Print, light, look, adjust. Again. Until nothing needed to change.

Light passes through the lattice and comes back softer. Shadow and glow at once. This is where light defines, reveals and reciprocates becomes something you can hold.

It is made for the listening hour. A record on. The room quieter. One warm light.

It came from years of shaping how rooms feel. Stages. Venues. Film sets. At some point I wanted to make the thing that stays in the room after everyone leaves.

It started with a sketch. An idea of how light should play across three levels of detail.

The pattern. A lattice that interlocks to form the body.

The shape. Three stacked lobes, one quiet silhouette.

The spill. How the light leaves the lamp and settles into the room.

Getting all three to agree took a long run of trial and error. Print, light, look, adjust. Again. Until nothing needed to change.

Light passes through the lattice and comes back softer. Shadow and glow at once. This is where light defines, reveals and reciprocates becomes something you can hold.

It is made for the listening hour. A record on. The room quieter. One warm light.

IT IS TUNED, NOT SWITCHED ON.

THE NAME

A nod to an era of music, and to The Commodores and their style. A nod to the first home computers, and the first time a lot of us played. And a name with character of its own.

A nod to an era of music, and to The Commodores and their style. A nod to the first home computers, and the first time a lot of us played. And a name with character of its own.

COMPOSED. ASSURED. A LITTLE BIT OF SWAGGER.

COMMODORE NAME IMAGE

THE WORLD OF THE COMMODORE

It has seen everything.

It has seen everything.

It has seen everything.

A lounge. A dimly lit room. A record playing.
The Commodore is the only light in the room.
It was there before the first guest arrived.
It will be there after the last one leaves.

A lounge. A dimly lit room. A record playing.
The Commodore is the only light in the room.
It was there before the first guest arrived.
It will be there after the last one leaves.

THE COMMODORE

THE LISTENING HOUR

Occasional letters on light, objects and the next release.

Occasional letters on light, objects and the next release.

JOIN

OBJECTS FOR THE LISTENING HOUR

LIGHT DEFINES.
LIGHT REVEALS.
LIGHT RECIPROCATES.

LIGHT DEFINES.
LIGHT REVEALS.
LIGHT RECIPROCATES.

Some ideas are worth showing up for.

Some ideas are worth showing up for.

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© 2026 DANIEL JAMES. ALL RIGHTS RESERVED.